2/1/2014 10:16:14 AM
I used to wonder before about this movie’s screenplay as I
have seen its trailer, plus the awards they garnered at the Academy Awards. And
it seems that really convinced me to watch the flick entitled “The Wolf of Wall
Street.”
That time though it’s like these ‘desperate measures’ are
haunting me as TWOWS was only available to the Metropolitan’s selected cinemas,
especially with the advent of 47 Ronin, Bride for Rent, and some surviving MMFF
entries routing the movie houses to make sales.
Wait a second. What the hell is this ‘wolf of wall street?’
A movie based on Jordan Belfort’s true accounts, with
Terence Winter doing the translation from page to screen, and Martin Scorsese’s
masterpiece in both direction and producing aspects, with the latter division
includes Riza Aziz, Joey McFarland, Emma Tilingger Koskoff, and the actor
himself Leonardo DiCaprio.
Yes, true story about Belfort luring a working chore in the
stockbroker industry, and how we went richer and even beyond his’ and anyone’s expectations.
How money played his mind, take over his life in totality,
how he made other people believe that like him… they can be successful in the
same line, how drugs can be good until it is abused, and everything has a price
to pay.
Plus, the fact that the word that spells f-u-c-k has been
pronounced for numerous times (so numerous you can’t even list that on your
calendar sheets) regardless if it past tense (fucked), present (fucking, fucks)
or even future (will fuck, shall fuck).
Well, I could have said “fuck this movie” for that matter
though.
Well, this movie seemed to have a resemblance of reality
bites in present. Let’s face it. Some businesses around the world used to do the
same business as Belfort’s, and they are really rolling calling for the sake of
earning in the expense of somebody else’s stocks… well, unless if it’s legal.
Is this thing called comedy? Maybe, on their (moviemaker’s)
part; but I’ll call it the serious one. I mean, yeah, serious comedy. Cause you
don’t see many comical moments on most parts of the movie. It’s like you can
count on your fingers how many times you have laughed on this flick. The upside
though is that those were also the times they had done an exceptional good job.
The only problem we got here though is some scenes on their
R-16 version really suck. The cut was obviously made, as if it was rushed in
editing chores. And as a watcher who can be more critical when it comes to the technicalities
of camera and digital usage (well, just sometimes), it sucks. Or on the other side,
could it be the movie house suffered some flaws in their player considering
that TWOWS is the first movie to be distributed in digitalized form. Hmmm…
Well, I can’t say anything about DiCaprio. No wonder why he
got the best actor, plus earning $10 million for this. The others did well on
their acting as well. Though I wonder, in 185 minutes of playtime, have I really
seen enough? It may be quite too long for a typical movie which only ruins for
mostly 90-120 minutes, but seriously, the near-ending part seems to screw me
up. Or maybe that made me think how on earth did he managed to get out of prison
and talk on sales technique yet again since before the last sequence, it seems that
he still rolls on prison?
Nah, maybe I should read the shit soon. Fucking good flick,
eh?
The verdict: 8.3
Author: slickmaster | © 2014 september twenty-eight
productions
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